Tuesday 7 June

History and Musicological Analysis of Representative Byzantine Hymns

chair: Ioannis Papathanasiou

Musical Iconography:

Greek Influences from the Antiquity to the 20^th Century

chair: Tilman Seebass

“Η σύνθεση Δύναμις του Τρισαγίου Ύμνου, του πρωτοψάλτη Ξένου Κορώνη. Από τον 14^ο στον 21^ο αιώνα”

“Greek influences in the Etruscan banqueting scenes: The case of the transverse flute”

“Παρατηρήσεις για την ανάλυση, υφή και μεταισθητική της Βυζαντινής Μουσικής. Ο ύμνος Σιγησάτω πάσα σαρξ βροτεία”

“Musical instruments and funerary rites in a western Greek colony: the case of Locri Epizefirii (VI-IV c. B.C.)”

“The sticheron Today is hanged on wood (Σήμερον κρεμάται επί ξύλου). Comparative musical analysis in fully developed Middle Byzantine and New Byzantine notation from the manuscripts Dionysiou 564 (1445 AD) and Sancti Sepulcri 715 (19^th cent.)”

“Possible baroque influences on the representations of musical instruments in 17th and 18th century Serbian art”

“ Άγνωστο τροπάριο της Ακολουθίας των Παθών στο χφ. Κύκκου 4”

“Classic rhythm, dance and music in the iconography of Catalonian Noucentisme (1906-1923)”

The Outer Influences of Byzantine Μusic

chair: Antonis Konstantinidis

Ensembles, Institutions, Cultural Policies

chair: Mirjana Veselinović-Hofman

“Some western European musical instruments and their Byzantine origin

“The Estudiantina, mediterranean sonorities and Greek resonances (c. 1880-1940)”

“Η ιστορική εξέλιξη της βυζαντινής μουσικής στην Αλβανία: από το 1900 έως σήμερα“

“The Heybeliada International Sound Centre: Towards a program for interdisciplinary and intercultural didactics of music”

“Η ψαλτική σημειογραφία στην αγγλική γλώσσα”

“Views of Greece as an intercultural pole of musical thought and creativity and young Greek professional musicians: the cultural policy and management perspective”

Notation and Theory of Byzantine Music

chair: Konstantinos Karagounis

Greek Art Music I

chair: Nikos Maliaras

“Ο Άγιος Ιωάννης ο Δαμασκηνός: η βυζαντινή παρασημαντική και η θεολογία της εικόνας”

“Συνοπτική Γραμματική, είτε Στοιχειώδεις Αρχαί της Μουσικής Μετά Προσαρμογής εις την Κιθάραν, Ν (Νικόλαος) Φλογαΐτης, Εθνική Τυπογραφία, Αίγινα, 1830: ανίχνευση των επιδράσεων στο πρώτο ελληνικό εγχειρίδιο για την τονική μουσική”

“Πεδία παραγωγής της θεωρητικής ορολογίας της Ψαλτικής”

“Ionian (Septinsular) composers and Classical Antiquity: Revisiting the past or legitimising the present? ”

“Οι ‘κλασικές’ βάσεις της Μεταρρύθμισης. Ιδεολογικές και τεχνικές προσεγγίσεις της νέας Ψαλτικής θεωρίας”

“Από το δημοτικό τραγούδι στο εθνικό τραγούδι: Έλληνες συνθέτες και χορωδιακό ρεπερτόριo”

“The Great Theoreticon of Music as a diachronic and intercultural paradigm of music definition”

“Rethinking ‘Greekness’ in art music”

Greece and the Postwar Avant-Garde (Xenakis, Christou)

chair: Katerina Levidou

Oral Tradition And Issues of Performance Practice of Byzantine Music. Contemporary Exponents of Psaltic Art

chair: rev. Nektarios Paris

“Temporal capacities of the visual in the representation of a piece of music on the screen”

“The reception of Manuel Chrysaphes and his Treatise: narratives of continuity and theories of performance practice in Byzantine psalmody”

“ ’A form that occurs in many places.’ Clouds and arborescence in Mycenae Alpha”

“DAMASKINOS: The prototype corpus of Greek Orthodox ecclesiastical chant voices”

“Iannis Xenakis: A dialogue of Antiquity and Modern Times”

“Τρύφων Γ. Γερόπουλος: ένας κορυφαίος εκπρόσωπος της Εκκλησιαστικής Ψαλτικής Τέχνης στη Μαγνησία”

“Η ημιτελής πρωτοπορία του Γιάννη Χρήστου”

Concert II (Rotunda)

CONCERT II – TUESDAY 7 JUNE

CONCERT OF BYZANTINE MUSIC II

Detailed Concert Program

I. Choir of the Association of the Chanters of Thessaloniki “Ioannis Damaskinos”,

conductor: Nikolaos Kolovos

Troparia (strophes) and hymns in honor of St. Demetrios, from the Feasts of Ascension and Pentecost, as well as from the Divine Liturgy of St. John Chrysostom, with many texts by St. John of Damascus and with melodies from the Constantinopolitan tradition

II. Byzantine Choir “Filathonitai”, conductor: Dimitris Manousis

Troparia and hymns for the Holy Communion, in honor of the Holy Virgin Mary and of the Lord Jesus Christ, with melodies by composers of the Byzantine (Ioannis Kladas), post-Byzantine (Petros Byzantios), newer and contemporary times (Petros Filanthidis, Gregorios Stathis)

III. Byzantine Choir of the School of Music Studies, Aristotle University Thessaloniki,

conductor: Emmanouil Giannopoulos

Troparia and hymns in honor of St. George and of the Holy Archangels, with melodies by Petros Bereketis, Petros Peloponnisios and father Konstantinos Papagiannis

IV. Choir “Thessalonian Hymnodists”, conductor: Ioannis Liakos

Troparia and hymns in honor of St. Demetrios of Thessaloniki and of the Holy Virgin Mary, by Petros Byzantios and Demetrios Sourlantzis, as well as the famous didactic poem The one who aims at learning music by Panagiotis Chrysaphis the New

Rotunda Saint George – 20.00